Search: Starring Kyle MacLachlan

One of the great masterpieces of modern cinema

Director Drake Doremus handles the material superbly, aware of its pitfalls and sensitive to all the vagaries of human behaviour which make these characters so intriguing.

This isn't just light but unserious. One has the sense that those involved were having fun and watching it so did I.

Stone emphasises the loss of innocence to an extent beyond credibility.

The film's real trouble stems from the fact that Lynch just wasn't the right man for the job.

The actors (or director) clearly only have half a clue what they're saying.

Though parts of the film are repetitive and others don’t quite knit together, there are some real gems hidden in there.

As usual with Pixar the film operates on twin levels - with one part going straight over the heads and minds of its junior target audience and the other heading directly to their parents.

There are no running gags and the construction appears organic, rather than planned.

This is a film that defies logic.

Makes an important contribution to the conversation around sexual violence.

It's a small film - it was shot on a shoestring in 24 days - that tackles big themes, such as love, loss, life and death, and never takes itself too seriously.

Within the confines of this technically complex idea, Figgis has created a work of considerable artistic merit.

The fact that Michael Almereyda's playful biopic doesn't quite fire on all cylinders feels more like a tribute than a failing.

Defying easy genre classification, Twin Peaks is a complex, literary tale that draws together ideas from disparate sources and is always veering off in directions at once unexpected and entirely logical.

This film hinges on a powerhouse performance from Sheryl Lee the like of which has rarely been committed to celluloid.